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Kitchen Treasures, Life’s Treasures



She stood in her kitchen, surrounded by decades of collected treasures. The stainless-steel spoons and forks, the sturdy CorningWare, the Pyrex dishes that had outlived fashions in cooking each piece had been bought with anticipation, long before marriage, long before she knew what kind of life she would build around them. These were not just utensils. They were witnesses. They had seen family meals, quiet suppers, laughter spilling over the table, and the silent comfort of food prepared with love.


For women especially those who find dignity in their kitchens such objects are not merely functional. They are symbols of identity, of care, of continuity. They are part of the story of self. And yet, she knew she could not carry them back to her in-laws’ home in Singapore. These treasures, as personal as they were, had to be parted with.


The act felt brutal, as though dismantling not just her kitchen, but a fragment of herself. Parting with them was not about losing things it was about letting go of the chapters they represented. So, with deliberation, she divided them into three equal parts: Johor A, Johor B, Johor C.


Each set was boxed carefully, destined for her husband’s relatives. Each box was more than just a collection of plates and forks. It was a quiet offering, a fragment of her story entrusted to others, a dispersal of memory.


There is something deeply human about this act. We collect, we hold, we attach. But life, with its currents, reminds us that nothing truly belongs to us. Objects, like moments, are only ever borrowed. The kitchen treasures were once hers now they would live new lives in other hands, continuing their silent service in other kitchens.


Perhaps that is the lesson: what we hold dear is never really ours. Our possessions are like chapters in a book we cannot keep forever. To part with them is painful, yes but it is also an act of humility, of recognition that life is movement, not stillness.


In giving them away, she does not lose them. She transforms them. She allows the objects to become bridges connecting her past with others’ futures, and reminding herself that her true treasure is not the Pyrex dish or the stainless-steel spoon.


Her true treasure is the love she poured into meals, the care she gave to others, the memories made around the table.


And those cannot be dismantled.


Back in Singapore, she stopped buying kitchen utensils. There was no urge to start another collection, no desire to replace what had been given away. She simply used what was already there, whatever her in-laws’ house had to offer.


It wasn’t resignation it was clarity. She saw no need to buy anything new, because she had learned that the value of a kitchen is not in the shine of its steel or the brand of its cookware, but in the meals prepared and the people gathered.


In a quiet way, this too was liberation. She had moved from possession to presence, from holding to simply being.


Where once the kitchen was defined by her treasures, now it was defined by her touch, her care, her ability to turn even a plain pot into a meal that carried love.




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